Lamina Umbraform explores form through botanical structures in Nusa Lembongan, Indonesia. Resisting literal identification, it allows surface and edge to stand independently of their source.

High-contrast light functions as a sculptural force. Shadow is not absence, but a defining element that carves structure. Through this reduction, organic matter assumes an architectural gravity, oscillating between the biological and the monumental.

The collection invites slow recognition, where form emerges through contrast and remains suspended between material reality and abstraction.